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They represent Regers first organ character pieces. Passacaglia in C minor, BWV582 [12:56]. "The beginning and end of all music, " per Max Reger (4). The 17th CD is an interview with Martin Schmeding, all in German. The Serenade for solo cello is an early work which, despite its deceptively light mood, is profoundly original. Paul Hindemith: Sonata for solo cello (1923).

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Characteristically extreme dynamic markings are used, with the expected chromatic modulations. The period in Munich brought the composition of his Sinfonietta, of chamber music, and of fine sets of keyboard variations on themes by Bach and Beethoven, followed in later years by his well-known variations on a theme by Mozart. 2 in F major was even incorporated in the Voyager Golden Record, a disk embedded on a space probe launched in 1977 to give a taste of the world's greatest music to potential extraterrestrial beings… But let's get back down to Earth, and treat our very human ears to this cheerful masterpiece! Melodic contour is disjunct with many leaps and some half step motion. Henze made an international reputation as a composer for the theatre, contriving to renew the genre in ways which are often as startlingly innovative as they are disarmingly simple. Anderson has helped lessen the negative reception that has haunted Reger for many years and presents a book indispensable for English-speaking researchers interested not only in Reger, but also in the largely underappreciated history of early German modernism. Menuett: Triple and quadruple double stops combined with richochet bowings alternate with lyrical quick ascending leaps. Bach & Reger: Transcriptions for Piano Duet. Hans Werner Henze: Serenade for solo cello (1949). Some left hand pizzicato. There are many recordings of Reger on modern instruments but, however impressive they might sound, to hear Reger on these German romantic/symphonic organs is a revelation.

When they were uncovered a century later, they became an instant hit! Returns to the beginning material at the end in a piano dynamic. After time in Weiden and Munich he moved to Leipzig as musical director at the Leipzig University Church, professor at the Leipzig Royal Conservatory and, later, as music director to the court of Duke of Saxe-Meiningen and the Meiningen Court Theatre. Speeds are kept within a sensible range, balancing the technical complexity of the music with the acoustic of the various churches – all of which have sympathetic acoustics. From grandiose organ music to majestic vocal scores and delicate chamber music, Bach wrote over 1, 000 masterpieces in his lifetime and hasn't aged a bit since. Ends with the march fading into the distance. Although I later studied the formal elements of Jewish liturgical composition, it was in Japan that I first became intrigued with the idea of incorporating ancient Hebrew melodic fragments within a totally chromatic, contemporary musical language. D minor to an emphatic D major chord and a more subdued Adagio. 2 x 14 cm; 90 Grams. 5 Works you need to know by Bach. In fact, the serious and pious Leipzig organist didn't just compose church music and also dabbled in the secular repertoire - not without an occasional dash of humour! Gaspar Cassadó: Suite for solo cello (1926).

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2, 'Sarabande', BWV 1008. To the detailed counterpoint of Bach, he added the structural integrity of Beethoven and Brahms and the advanced harmonic language of Wagner and Liszt. The music of Max Reger has a special position in organ repertoire, and he is regarded by many as the greatest German composer of organ music since Bach. Among his notable students were Adolf Schiffer (teacher of János Starker). This recording only served to further my liking for these pieces; Reger managed expertly to keep the nature and spirit of the original whilst making them more accessible to everyone. As soon as he learned of the event, cellist Mstislav Rostropovich made his way to the German capital city. As editor and translator, Anderson has a close connection to Reger, whose life and work have only recently begun to enjoy some critical attention. The Fugue, with a subject already foreshadowed in the Fantasia, opens marked pppp, growing slightly louder as the pedal states the fifth entry. It is in this limitation that the master reveals himself. Allegretto: Dissonant but playful gestures open the movement, and are juxtaposed by agitated dotted-rhythm double stops. To be sure, there are still monumental works for organ and large orchestral pieces (think of his Piano Concerto Op. All of these pieces have a touching fragility, which appears all the more intimate when one considers that Reger composed them at the beginning of the First World War and wanted to publish them only after it ended, something which, alas, he himself never lived to see; for this reason the publisher published the pieces in 1916, the year of his death.

Opulent and festive, his revamped masterpiece celebrates the three days of Christmas, the New Year, the first Sunday of the year and the Epiphany. 59, were written, according to Lindner, to whom Reger showed each piece as it was sketched, in the space of two weeks in 1901. This serves as an introduction to elaborated versions of the contrapuntal episodes, finally providing a concluding passage.

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The first movement of the Concerto no. Henze's music incorporates neo-classicism, jazz, the twelve-tone technique, serialism, and some rock or popular music. To give you a helping hand, we've got the answer ready for you right here, to help you push along with today's crossword and puzzle, or provide you with the possible solution if you're working on a different one. The fact that Reger, a lifelong Catholic, was a great admirer of the Protestant chorale is often mentioned in association with his many chorale arrangements for organ. Sardana: This movement is a traditional dance from Catalonia. In seeking his (B minor/major) goal, Kodály even has the lower two strings tuned down a semitone from normal (giving the configuration B-F sharp-D-A), notating them further as a transposing part. Reger was born in 1873 at Brand in the Upper Palatinate, Bavaria. For purposes of unity and thematic coherence Anderson limits himself to the professional and public essays published between 1904 and 1914, and divides the work into four parts. Max Reger Edition: Sämtliche Orgelwerke. Again, the Piano Duo Takahashi|Lehmann sparkle in their performance, and their's again, is the finest recording of this transcription that I have heard, making this a wonderful inclusion in this set. It's with those emphatic words that composer Max Reger once described the great Johann Sebastian Bach (1685-1750). Want to find out more? Walter Väth studiert an der Universität Tübingen Musikwissenschaft und Germanistik und arbeitet seit November 2014 als Werkstudent im CD-Label des Carus-Verlags.

This piece was supposedly composed for Count Keyserlingk, who instructed Bach to write a work that his personal musician Goldberg would play to him during his frequent bouts of insomnia. Draeske argued against the new musical sounds Salome featured and the overall trajectory of music. Max Reger (1873-1916): Organ Works Volume 3. He control over the mechanics of the organs is exemplary, ranging from his ability to achieve seamless crescendos to his control of articulation. Illustrations, references, index.

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Works in the latter part of his life include the Acht geistliche Gesänge op. The accompanying booklet, in German and English is good, but a little more insight might have been good. Here the performance by the Piano Duo Takahashi|Lehmann lives up to the sparkling transcription. Preludio-Fantasia - a Zarabanda: The first movement quotes Zoltán Kodály's Sonata for Solo Cello, and the famous flute solo from Maurice Ravel's ballet Daphnis et Chloé. If you, your speakers/headphones, and your neighbours survive those pieces, you should be able to get through the other 15 CDs without mishap.

Ends with a sudden subito piano artificial harmonic. In 1721, Bach composed six concertos which he dedicated to his Royal Highness of Brandenburg.