Forrest Gump And Just Like That

I can rely on your poems for impact as they are earth-quaking with the strength of their honesty and intimacy. And I often think, there's Langston Hughes. In college, I was just crazy about my friend, Beverly, who I've been best friends with for 53 years. Because the baby cried, but wouldn't suck. This was her second year at Boston University and she was an excellent teacher––thoughtful, respectful, encouraging. Ellen: Yeah, they've done… Yeah, around metaphor, which is kind of the thing that I'm maybe the most, the aspect of the craft that I feel closest to.

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I mainly do two things. And the writer is Ellen Bass. I loved the redwoods. I'd been invited to spend a week in residence at the H. J. Andrews Experimental Forest in Oregon and I knew I'd have the open space and time to write the poem there. I have so many stories that I haven't figured out the so of it yet. Previous books include: Jade Suit, and two books of translations: Poems From the Stray Dog Café, and Tadeusz Borowski: Selected Poems. And I think with the pork chop and fat, that I came close to that. Marion: I don't think of it as an… Yeah, it's not an indulgence, it's a work ethic. I lay there with the baby whimpering in my arms, both of us wide awake in the darkness.

I loved and stayed in and around Santa Cruz, but lived in a many different places. I know that I saw her (and felt her rock-solid strength and love) more clearly through writing the poem. And if there is fear, how do you integrate it? I need time to gain a sense of the whole, so I just work on it when I have six or seven hours straight that I can work on the manuscript so I could hold the shape of it in my head. If you were taking tickets, for example, at the theater, tearing them, giving back the ragged stubs, you might take care to touch that palm, brush your fingertips. It took me a very long time and hundreds of failed poems to be able to distill all that's in this poem (my dead ex-husband, my daughter, the arc of my own life, the miracle of having a life, etc. With nothing to lose, knowing there can be nothing to hold on to, we can fall headlong into life at last. And if it's not important, then in that particular poem, it doesn't matter. And that's a big difference. Everything we've ever eaten, thought, felt, considered, every movie we've ever seen, it's all in there. Jericho mentioned to me once that he's always fitting poems into a manuscript and thinking about their relationship to one another. Because I'm still there on my hands and knees, deflated belly and ripe breasts, huge dark nipples, tearing open the stapled bag, fumbling the ducky pins, two fingers slipped between the baby's belly. Cellularly, I completely get that because-.

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Ellen: Yeah, I'd love to talk about that a tiny bit. And the trigger, which I'm grateful for, was this young tattooed father. So, the writer's job is to find the thing that only you love. Running your fingers, tenderly, through someone's hair? I think of the last lines of Lucille Clifton's poem, "won't you celebrate with me": here on this bridge between. He also wanted me to stop working so I could take care of the baby and the house.

That part is so much fun. Marion: I believe that pieces are about something and that you can be the illustration of it when you write memoir. And so, it's very physical. The poem, "Photograph: Jews Probably Arriving to the Lodz Ghetto circa 1941-1942" is an ekphrastic poem from an actual photograph. She teaches at Pacific University's low residency MFA program and was recently named as chancellor of the Academy of American Poets. Thick wooden plugs pierce.

The Thing Is Ellen Bass

She looks up, down, at the mice. BU was one of the first to offer an MA in creative writing. So, I also use every scrap. How did that come about? I got a lot of help from other poets, too, about what should stay in, what should come out.

Oh taste how sweet and tart. The result was that my not-very-good poems had any little life they possessed squeezed right out of them. I think in Mules of Love (2007) only seven of the poems were from the original manuscript I sent to Dorianne. If we could see them as they are, soaked in honey, stung and swollen, reckless, pinned against time? And when you read a metaphor that doesn't work, your brain rejects it, and says, "No, it's not like that. " The midwife told me not to push.

Ellen Bass The Thing Is The New

It's a practice, of course. That's what feels exposing to me and that's what's frightening. " As Gilda Radner used to say, "There's always something. " Because they weren't next to each other, those two odes. When the stars align and my teaching schedule doesn't conflict, I participate in Bass's home workshop, a long-running group that meets in her living room each week for lively craft discussions and careful critiques of poems-in-progress. Growing up in high school I was boy crazy. We had moved to Aptos by the time I had my daughter. Unlike what I've heard from many others, I usually don't try to assemble it until I have a fairly large number of poems. This particular poem, Ode to the Pork Chop, was… We are grappling, as many people are, with the way animals are raised, those of us who are not vegetarian or vegan. My environment, my areas of interest, and my choices insulated me from the kind of discrimination so many women endured. Sometimes, it's much, much messier and deeper and richer than that, looking for what is it that I haven't yet understood. But thank you, Ellen. I think that's what we do in writing poems.

Yes, and the book is really powerful. If the poet's race or gender or sexual orientation or ability or disability, or whatever it may be, is important to that poem, it will be in the poem, in a way that communicates to me. Melting in the car and throw. I wonder how it's going to turn out? " Are you carrying a notebook, an index card? With the pity of having missed it. The place, though, that's proven to have the best odds for making poems is Esalen in Big Sur, where I have taught for decades. Oh, that's a beautiful word, illustration. By raising her physical form and "infinitesimal life" to the level of a constellation, she gives the joy experienced in the "pale green cool of radiology" an appropriate amount of significance—all is right with the universe when she can claim "More happy love! It is a kind of mental marathon for me, but I feel very good about the order of Indigo.

Ellen Bass The Thing Is Poem

And then, at times, I am left shattered. Toward me pushing one of those jogging strollers. In any event, this form is a marvelous conceit. I try to see how the poem works, what makes it tick. What do you do to study poetry yourself?

I knew my work was not very good. Marion: I'll expect to see that in a poem any moment. But I think with poetry, the precision, the one word that going into that sort of Walmart-sized subconscious of ours, and getting that different word for blue has a brain process that I would just love to see in a scientific way. Ellen: Oh, I love that. It's a process of finding out things that I don't already know—an experience of discovery. If you're a classicist… I mean, who's to say? Of course, the great ode writer, Neruda, also wrote to very homely things, like his marvelous ode to his socks. But all the leaps and associations just arrived and I caught them. Alive with the voices of more than fifty young people, rich in accurate information and positive practical advice, Free Your Mind talks about how to come out, deal with problems, make healthy choices about relationships and sex, connect with other gay youth and supportive adults, and take pride and participate in the gay and lesbian community. But when I read a poem, most of the time, I don't need to know anything except what is in that poem. And two mice — one white, one black — scurry out. And when I started… Now, we're going back to like 1970. So, how do you make the decision about what goes in? When I feel fear I know I'm onto something meaty.

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