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Those being served by our current system — a bipartisan coalition similar in class character although tonally distinct — are quite used to being asked: may I take your order? In this South Korean film, a severely deadly strain of the virus H5N1 starts tearing through the city of Bundang, killing those who contract it within 36 hours. As the floodwaters rise, a crowd begs for passage, but those on board pull up the ladders. This intimate contagion movie focuses almost entirely on one woman who is stranded in the Nevada desert right when a zombie infection starts to take hold.

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So too will the battle against climate change. Caught up in a movie's narrative, we may identify with the central characters, but as we shuffle out of the darkness of the theater or watch the credits start to roll from our couch, we know that most of us belong to the crowd. As they fall for each other, they go through these surges of emotion. David Cronenberg is the master of body horror, and in this 1977 film, he focuses on a woman who develops a strange growth under her arm after a surgery that she uses to feed on human blood. Panic in the Streets. They worked in places where they sweated and got hurt, where supervisors monitored their bathroom breaks, a computer algorithm determined their schedules, and where they could only open the cash register with a fingerprint scanner under the watchful eye of an overhead security camera. Scrambling to maintain their own race and class position, they planned to shove service workers towards the infection, below the flood, into the fire. What makes someone an "other"? Cargo is one of them, and it stars Martin Freeman as a man in the Australian outback who ends up caring for a child that he must guide to survival. Invasion of the Body Snatchers (1978). This was the first of Ford's films to be nominated for Best Picture.

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The carrier is actually a jewel thief (the great Evelyn Keyes) who is betrayed by her crooked husband and her sister and then wanders the city spreading disease while a heroic doctor tries to track her down. You could watch any old zombie outbreak movie during your contagion binge, but there was a small wave of movies during the mid-2010s that focused on the ennui of the end of the world more than the panicky horror of the outbreaks themselves. That's what happens in the appropriately titled Blindness. They jump up and down, wave their arms, and hope that this time it will notice them. It's a disturbing, complicated look at passion, loyalty, and deception in the heart of a horrific epidemic.

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These workers — usually women and people of color — have jobs which have been designated as essential. Trench 11 is set during the last days of WWI, and is centered on a group of allied soldiers who are sent to investigate a secret German bunker that, they will discover, houses a grotesque secret that could turn the tide of the war. Larger crowds are made of computer-generated images, people who never even existed in the first place. This list has been periodically updated to include new titles. Ewan McGregor plays a philandering chef and Eva Green the beautiful epidemiologist who lives next door to his restaurant. Many of the films' most gruesome events are not what the infected do to the people, but rather what the people do to one another. The Manchester roadblock, which is indeed maintained by an uninfected Army unit, sets up the third act, which doesn't live up to the promise of the first two. This Indian film is based on the true events surrounding the 2018 Nipah virus outbreak in Kerala and the local community's mobilization effort to stop the spread. Witness this early talkie, based on Sinclair Lewis's Pulitzer Prize–winning 1925 novel, which tells the story of an ambitious research scientist who becomes a country doctor to be with the girl of his dreams, then makes a medical breakthrough that eventually leads him to the West Indies to combat a devastating outbreak of bubonic plague. While humanity is being brought to its knees by a rapidly spreading infection, we only experience the crisis through the perspective of an Ontario radio disc jockey who is receiving sporadic reports of the mayhem outside. In 28 Days Later, just as in real-world categories inscribed by antiblack racism, all it takes is one drop of blood. And then... see for yourself. The powerful figures in these films are engaged in projects that are more important than the lives of those beneath them. This Irish horror-drama takes place in the aftermath of the infection period when a disease called the Maze Virus, that basically turned people into rage zombies, has largely been cured.

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The coronavirus has officially forced much of the world into voluntary or involuntary quarantine. Virologist Will Smith lives in a hollowed-out Manhattan and fights vampiric monsters called Darkseekers after a modified measles virus, that was meant to cure cancer, kills 90 percent of humanity. Order must be restored. The setup is a familiar one, but the portent, the violence, the sense of a world abandoned by God's mercy would give Paul Verhoeven a run for his money. An army colonel played by Charlton Heston is the only known survivor of a biowarfare catalyzed plague, and he spends his nights hunting plague-infected mutants throughout desolate Los Angeles. Did you like watching Donald Sutherland in the middle of an Earth takeover by alien parasites that can control people's minds in Invasion of the Body Snatchers? The contagion in Daybreakers has turned most of the world's population into vampires, and when the human population plummets, that means the new dominant race is short on food. When he meets a pair of immune humans, he is given renewed hope that he can make a cure. Maj. Henry West (Christopher Eccleston) invites them to join his men at one of those creepy movie dinners where the hosts are so genial that the guests get suspicious. Zombie movies are always so bleak (which is fair), but Bodies imagines, "What if they could still feel? " When the base is overrun, though, a group of survivors are flung out into the landscape and their survival will dictate who inherits the Earth. Their vision is lacking; they do not see us waving and unfurling our banners on the lawn. R could be the key to saving the world, but they're going to have to address that zombies versus humans civil war going on to figure it out. Director Elia Kazan, himself the child of Greek immigrants, films the drama with compassion and complexity.

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But the two of them will have to travel through a dangerous no-man's-land to get there, and that means dealing with all the threats along the way. The results are mind-alteringly great. The plot exudes a distinctly Musk-y odor: the masses are saved by a small group of technocrats who drill down into the core and reboot it with nuclear bombs. It's a noirish thriller, but it's also all about human behavior: Widmark's character struggles to deal with the citizenry, and a Greek immigrant couple who get the disease early on view the authorities with suspicion, and thus refuse to cooperate. Just as in our disaster movies, the politics of the last few decades has offered little room in the frame for the crowd. A businessman and his daughter board a train to Busan as an epidemic begins ripping through South Korea, and while the moving train is semi-safe from the crumbling world outside, everything goes to hell when the infection reaches the passengers. The Andromeda Strain. Available on Hulu, Amazon Prime, and Vudu. And oh, boy, is he right! Selena becomes the dominant member of the group, the toughest and least sentimental, enforcing a hard-boiled survivalist line. Much of the film is shot in night vision, helping you to feel even more immersed in the horrors leaping from the shadows.

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The moral rot of the aristocratic milieu inevitably gives way to apocalyptic grotesquerie. Social movements are breathing life back into the world, reclaiming it for all of humanity — and we are planting our flags to summon others to our side, to build a more powerful crowd. The 1990s was the peak of teen horror, and The Faculty assembled a buzzy cast — Josh Hartnett, Elijah Wood, Salma Hayek, Clea DuVall, Jon Stewart, and more — for this story of a standard American high school overrun by an alien invasion that turns humans into host drones. It might seem crazy, but as Vulture's Kathryn VanArendonk writes, "this current pandemic crisis makes me terrified, and a story about exactly that same thing is one way to grapple with that fear. "

Our slogans are not truly meant for them, for they cannot rescue us from the reality that they created. Well, you can watch something similar happen in The Puppet Masters. You can't just kill Gwyneth like that! ) What fate awaits us?

Two survivors spell out a message using sewn-together bedsheets on a bucolic green field: HELL, it reads, as they race to add an O before the jet passes overhead. Eli Roth's first big foray into extreme gore follows a group of 20-somethings on a cabin-in-the-woods trip where everyone's plans for sexy time are interrupted by a flesh-eating disease. The Puppet Masters (1994). Life After Infection (and, Still, Some More Zombies). People must remain in their place; those who go where they do not belong endanger everyone. For any hope of recovery, we cannot cede the public square, but rather we must reclaim it — courageously and with care for one another. Though we shout, the powerful do not hear us.

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