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Water Fountain Lyrics Tune Yards

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Gotcha We're gonna get the water from your house (your house) No water in the water fountain No wood in the woodstock And you say old Molly Hare Whatcha doin' there? TUnE-yArDs( TUnE yArDs). Then, having reached the heights, this all-but-divine race perished in a single night, and nothing was preserved above ground. It's a childlike chant, but the words are about heavy topics. " The first lyrics heard on the album are "My country, 'tis of thee/Sweet land of liberty/How come I cannot see my future within your arms/Your love it turns me down/Into the underground/My country bleeding me; I will not stay in your arms. " Listen to the words that I said. This item is not eligible for PASS discount. "Water Fountain Lyrics. " "Water Fountain" (from the album Nikki Nack) is available on iTunes.

Water Fountain The Song

Finger through my hair. I find it plausible that this technique—common in EDM and featured on other tracks such as "Water Fountain" and "Time of Dark"—is at least partly the new producers' voices coming out. The sonic result expresses the filth and brutality of rape. Se pou zanmi zwen, se pou zanmi zwen. And I know where to find you. A blood-soaked dollar. It comes ahead of the release of their new album 'sketchy. And your father's name will shine again like a beacon in the galaxy.

Water Fountain Lyrics Chords

14 For example, "Find a New Way" opens Nikki Nack with a hybrid 8-bit electronic harpsichord rising in arpeggios to a statement of the eponymous phrase. 16 "Left Behind" similarly engages a politicized critique of power structures through its text while simultaneously being sonically playful ("Nikki Nikki Nack"/ "We said we wouldn't let 'em take our soil/ These days don't it just make your blood boil"). In times long past, this planet was the home of a mighty, noble race of beings who called themselves the Krell. Water Fountain is a Pop song by Tune-Yards, released on May 5th 2014 in the album Nikki Nack. "Water is going to be a big source of conflict in the world. How did I get ahead?

Water Fountain Lyrics Tune Yards Online

Again, we may hear the "Nah-nas" of "My Country" reinterpreted. ) NO PHONE IN THE PHONE BOOTH. In this episode, Merrill Garbus of Tune-Yards breaks down "Water Fountain. " Tune-Yards – Water Fountain – 111 BPM Categories: 110-119 BPM Workout Music, 2010s Workout Music, Alternative Workout Music Download or Stream This Song: iTunes Amazon Spotify This song contains explicit lyrics. Embellishing sixteenths in beat three of every other iteration of these lyrics mimic the kind of flagrant jeering that asserts dominance.

Tune Yards Water Fountain Lyrics

In an interview with The Village Voice's Dan Weiss, Garbus averred, "It does seem so fucking simple, but students are raping girls on college campuses, just things that we can't believe are still happening. Your fist clenched my neck we're neck and neck... No phone in the phone booth. See 8:13 of "tUnE-yArDs Backstage at the Pitchfork Music Festival 2011, " 15 July 2011, video clip, accessed 3 May 2014, YouTube, - 11 Iona Opie and Peter Opie, The Lore and Language of School Children (New York: The New York Review of Books, [1959] 2001), ix–x. TUnE-yArDs Concert Setlists & Tour Dates. 'Water Fountain' is the sound of maddening ideas boiling to the surface. Valheim Genshin Impact Minecraft Pokimane Halo Infinite Call of Duty: Warzone Path of Exile Hollow Knight: Silksong Escape from Tarkov Watch Dogs: Legion. 14 One particularly robust illustration of Garbus's tendency to focus on the childhood games of girls can be found in a YouTube clip embedded in a log of her trip to Haiti, which is posted on the website, The Talkhouse. 4 Sasha Frere-Jones, "World of Wonder: How Merril Garbus Left the Theatre and Took the Stage, " The New Yorker, May 2, 2011, accessed 1 May 2014, /arts/critics/musical/2011/05/02/110502crmu_music_frerejones. After a crazed, no-questions-asked MegaMix of her new album, Tune-Yards has shared the first track from 'Nikki Nack'. The spontaneity of individual and communal expression is rarely captured adequately in the pop format, and if successful attempts can be located they are typically far removed from the use of musique concrète, electronic percussion loops, disjunct melodies, and lyrical non-sequiturs. However Garbus told NME; "The songs aren't about anything.
They see men come and take my world. We're checking your browser, please wait... In 2012, it was named the number one album of 2011 by critics in The Village Voice's annual "Pazz and Jop" poll. Sorry for the inconvenience.

The climactic accretion of textural density all'improvviso towards the end of "Find a New Way" offers a sense of teleology not commonly found in the first two albums, however. Phoneless phonebooths, two-pound chicken dinners, and cherry pies procured with blood money: Welcome once again to the weird world of Merrill Garbus' tUnE-yArDs. PASS: Unlimited access to over 1 million arrangements for every instrument, genre & skill level Start Your Free Month. Garbus worked on the project with bass player Nate Brenner at a studio in Oakland, California. And a two-pound chicken tastes better with friends. We′re gonna get the water from your house, your house. And you say old Molly Hare, Hare (Your fingers through my hair). Stuff me up with your home grown rice. Try our Playlist Names Generator. The same tone permeates "Time of Dark, " an open, mixed-meter groove that uses the verse-chorus form to great effect. 8 Garbus's work, which certainly falls within the realm of "digital postmodernism" and is much more than a simple pygmy appropriation, nonetheless reifies a "complex humanity… fixed as a tape loop in the machine of both postcolonial devastation and primitivist fantasy. " And you say, old molly hare, whatcha doin' there?

We're neck and neck and neck…. In so doing, we may also interrogate what these appropriations mean as a method for articulating alterity, that is, as a means of exposing alienating structures of power. This text may not be in its final form and may be updated or revised in the future. 6 This is a complex issue, too dense to be explored adequately here, but inescapable nonetheless.