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He really wanted to bring more scientific accuracy in the description of other cultures. Narrator: Despite the show's promising reviews, no producer picked it up. Her Americanness really comes through in how she writes that work. They became lords of sounds and lesser things. And then the boss hollers "bring on the hammer gang" and they start to spike it down. You might also likeSee More. They sat in judgment. A Raisin in the Sun streaming: where to watch online? Carla Kaplan, Literary Scholar: She was often the only woman for tens of miles around with a camera, with her own car, with a gun on her hip, collecting stories. Half of a yellow sun streaming vostfr. She first was very interested in Native Americans. Narrator: With over 300 guests in attendance, the event was a who's who of the Harlem Renaissance—progressive New Yorkers, Black and white, from the worlds of literature, arts, education and philanthropy. Zora (VO): I am being trained for Anthropometry and to do measuring. Work all day for money, fight all night for love.

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She also had a motion picture camera, a rare and expensive tool for anthropologists, that would allow her to capture scenes of rural Black life. Irma McClaurin, Anthropologist: That speaks to her belief that there was value in the way that Cudjo had created his own form of communication, that value did not need to be diluted, or translated for a white audience. She is outspoken, and she also likes to be the center of attention. Narrator: Hurston's last check from Mason arrived in October 1932, just as the nation was heading toward record unemployment. Hurston (Archival VO singing): I got a rainbow wrapped and tied around my shoulder. Half of a yellow sun streaming vostfr 1. All your senses need to be engaged in this beautiful creation.

Tiffany Patterson, Historian: Zora was nosy, pure and simple. And she did not want to go against that. Tiffany Ruby Patterson, Historian: As anthropology evolved, this data was then used to show the opposite, to show that Black people, White people, Indians were human beings with brains, eyes, ears and nose and all of that in the same place with the same capacity. And so you just watch what happens to Black women who almost always live in precarity in this society. In autumn, Hurston returned North to write her reports and face her mentor. Her arrival was met with a blur of invitations to dinners and speaking engagements. At Hurston's insistence, a camera crew documented the services. María Eugenia Cotera, Modern Thought Scholar: Charlotte Osgood Mason also controlled Hurston's expenses. They – to give emphasis – use the noun and put the function of the noun before it as an adjective. Zora (VO): Dear Doctor Boas, I am full of tremors, lest you decide that you do not want to write the introduction to my "Mules and Men. Half of a yellow sun movie review. " Irma McClaurin, Anthropologist: It is Zora's first formal collection of stories, folklore, and it cements her as a native anthropologist. That they had no past; they had no future.

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She uses that expensive and rare film equipment to document the lives of ordinary, everyday Black children, and Black women, and Black communities providing for us some of the earliest footage we have of the everyday visual lives of Black southern Americans. The press of new things, plus the press of old things yet unfinished keep me on the treadmill all the time. Eve Dunbar, Literary Scholar: It's an unwillingness to be disciplined in the sense of academic disciplines—anthropology, and disciplined in the sense that she won't be contained. I pray so earnestly that I have done something that can come somewhere near your expectations. A Raisin in the Sun streaming: where to watch online. Zora (VO): I feel my race. And there's a certain sense of valuing these people for what they were able to help to produce. But she's still connected to Boas, and she still wants to stay in Papa Franz's good graces. It was a case of "make it and take it. Carla Kaplan, Literary Scholar: She was very interested in documenting what she called "the Negro farthest down.

Hurston promoted the work, which helped establish her as a prominent literary figure. Dec 08, 2017Mismarketed as a spy thriller, The Exception is nothing more than a romance movie, a romance that has certain obstacles to be sure, but most any romance put to screen does. Franz Boas, a German Jewish immigrant to the United States rejected their methods and conclusions. Zora (VO): It was the habit of the men folks particularly to gather on the store porch of evenings and swap stories. They don't have to look at the rail 'cause that's the captain's job to see when it's right. Narrator: Over several months she spent time with Lewis, who was in his late eighties, in Africatown, the community he co-founded after the Civil War with other West Africans. Eve Dunbar, Literary Scholar: Everybody is really excited about what it might mean to be able to slough off that Old Negro, who is the product of enslavement.

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The Exception (The Kaiser's Last Kiss) elegantly blends well-dressed period romance and war drama into a solidly crafted story further elevated by Christopher Plummer's excellent work and the efforts of a talented supporting cast. Charles King, Political Scientist: Salvage anthropology was the idea that one of the goals of the anthropologist was to rush in and collect things before they were all destroyed by modernity. Narrator: In her second semester, Hurston wrote a paper in her anthropology class that resulted in a summons from Franz Boas, the world-renowned founder of Columbia University's Anthropology Department. Then I had to have the spy-glass of Anthropology to look through at that. Tiffany Ruby Patterson, Historian: Black people are suspicious, I think. Boas had convinced pre-eminent Black scholar Carter G. Woodson, director of the Association for the Study of Negro Life and History, and wealthy sociologist and anthropologist Elsie Clews Parsons to fund her trip. Lee D. Baker, Anthropologist: Hurston's intimacy and support of his African authenticity enabled him to open up to her in an authentic way. It was an auspicious meeting for the aspiring writer-teacher. "But I have lost all my zest for a doctorate. María Eugenia Cotera, Modern Thought Scholar: She realized that no one was going to share songs with her or even let her into these incredibly rich spaces where people were exchanging stories and song and card playing games, if she didn't bring something herself to the table.

Baker, Anthropologist: Zora Neale Hurston was an employee. María Eugenia Cotera, Modern Thought Scholar: Their Eyes Were Watching God is to me the most personal of all of her books. Zora (VO): Godmother dearest, you have given me my first Christmas. Narrator: Hurston dutifully headed down to Lenox Avenue in Harlem to measure heads she found interesting with what Langston Hughes described as a "strange-looking" anthropological device.

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Zora (VO): This is not to over-persuade you in the matter of the two-year plan. But now, the sun and the bossman were gone, so the skins felt powerful and human. She was not somebody who could work well for very long for anybody else. Charles King, Political Scientist: And that is a way of doing social science that we now take as kind of normal. Narrator: In February 1927 after Zora Neale Hurston had completed most of her undergraduate coursework, she boarded a train headed to Florida to begin six months of fieldwork in the South. She convinces Boas that she should do this independent Ph. Lee D. Baker, Anthropologist: Zora Neale Hurston really believed that you could not just read the folklore on the page. She fell into that world and she fit in that world. María Eugenia Cotera, Modern Thought Scholar: She starts at Barnard looking to become a teacher, which was the expected path of an upwardly mobile African American woman at the time, except she has this brilliant creativity, and a storehouse of stories and tales from Eatonville. At Howard, she was recognized.

Carla Kaplan, Literary Scholar: She had to make a decision about whether she was going to try to fit in or try to play up her difference. Charles King, Political Scientist: She had thrown herself into the world to try to rescue, redeem the things that were held by outsiders to be unimportant about marginal societies, and it was somehow fitting that the last act of her papers, her own legacy, was itself an act of rescue. María Eugenia Cotera, Modern Thought Scholar: What I find really fascinating about that book is her admissions—they're very stealthy, that some of the folklore she collected, she collected actually when she was seven years old, nine years old, when she was a child growing up in Eatonville, immersed in this culture that she later collected.

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