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Etc: Experimental Television Center 1969-2009: 5-Dvd Anthology + Catalogue, Aluminum Dog Box Water Tank

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Max's Kansas City, CBGB's, Mudd Club, AREA, were all heavily frequented by the Glitter/Punk impresarios of the day: Stiv Bators of the Dead Boys, Sid Vicious of the Sex Pistols, Wendy O Williams of the Plasmatics, Debbie Harry of Blondie were all people that I got to know and hang out with. I had to invent some of the analog systems that allowed me to manipulate images through various devices, mostly using wires and knobs. I haven't made a point about the ETC. "GARTEL, " Gallery Yes!, Ft. Lauderdale, Florida 2002. One would tweak an image through its various gray values and then strip color into that gray value, mixing red, green and blue. We would isolate ourselves for three or five days. ETC: Experimental Television Center 1969-2009. Laurence Gartel: 20 Years of Computer Art, Philip Morris, Hamburg, Laurence Gartel: 20 Years of Computer Art, Philip Morris, Munich, Laurence Gartel: 20 Years of Computer Art, America Haus, Frankfurt, L. Gartel: New Works, Galerie der Gegenwart, Wiesbaden, Germany, 1997. "From the ashes, " Open Space Gallery, Pennsylvania 2002. Hayashi, Sachiko - Boop-oop-a-doop. "Cybernetic Romance, " Fotogalerie Bordeneau, Neustadt, Germany, 1992. GARTEL just hand painted his first object in over 30-years. The process was always open-ended — setting up patches and playing source footage over and over, rescanning and recording dynamically tweaked processing variations in real time. That's what I remember the most.

Laurence Gartel Experimental Television Center Artists

"Leonardo, " Digital Salon exhibition at the School of Visual Arts, NYC, November 2000. Toby Kaufmann-Buhler. Laurence gartel experimental television center artists. In Kind Grants: IBM, Canon USA, Apple, Adobe Systems, Roland, Iomega, La Cie, Epson America, Metacreations, ArcSoft, LaCaere Hasselblad, eFrontier, MUVEE, Olympus America, Konica/Minolta, Hewlett Packard, NOKIA. When she was old enough, she spent a lot of time in the basement book store across the street. ETC: Experimental Television Center 1969-2009 is a compilation of groundbreaking electronic media work by 100 artists who have worked in the Center's Residency Program during the last 40 years.

McPhee, Christina - La Conchita N=Amour. Graphic Communication Association, Spectrum Conference, Tucson, AZ, 1997. Laurence's loyalty to art history remains integral to his practice. The equipment was relatively easy to use, and I tried to work with everything, including a very old character generator which was the core of some of my work.

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I was exposed to John Cage, who became a major influence, later on, for my musical thinking. Laurence gartel experimental television center wikipedia. A creative process and exuberant moment of digital art display-using a commercial vehicle wrapping process on printed vinyl. ART FAIR: Editions of Art, Innsbruck, Austria, 1997. With the encouragement of my Professor, Pam Hawkins, I sent the piece out and "The Clapping Tape" was accepted to the European Media Art Festival in Osnabruck, Germany.

Deutsch, Andrew - Magnetic North. As we get through this period and as hardware and software settles around useful structures and systems (open source, new hardware instruments) interested people and young media artists will move quickly and deeply into more personal investigations using electronic materials, tools, instruments, ideas and cultures. Deutsch, Andrew - Mesoprobes. It is part of our daily world. It had a do-it-yourself kind of vibe. We could often set up installations to test sculptural constructions with the real-time processed video and sound components. GARTEL RETROSPECTIVE, Nathan D. Rosen Museum Gallery, Boca Raton, FL, 2001. What did I know, I was just a kid of 19 years old? ) Internet Radio, San Diego, CA. Gartel tests Prototype Apple II. Torsten Zenas Burns. Budweiser – National advertising. Laurence gartel experimental television center los angeles. 100 blogs later, we come to the beginning. The wheels turn, the water flows, the air circulates, and fire flickers and flames.

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Commerzbank, Frankfurt, Germany. I was intent upon generating 15-30 second processed segments to incorporate into my emerging video narratives. With the residency's live-in accommodations, although sparse, one had 24 hour access to the studio. Many of the concepts in the studio are now part of a common vocabulary: a real-time image-making environment, an open-ended architecture, the ability to generate images electronically without cameras, to synchronize image and sound events, and to interact with these tools both by hand and through automated processes. From the ever-empathetic indulgences Sherry and Ralph Hocking, not only was I fully able to express the halcyon inner hot house bouquets of my heart and soul, but also was allowed to bring them into full bloom. Whatever was going on at this place was perceived, by some, as either out of its time, or already outdated, rather than ahead of its time. Roberts, Megan & Ghirardo, Raymond - Godzilla hey! GARTEL: MILANO ART FAIR, Milan, Italy, 1999.

As a student of Nam June Paik, I'd already played with the Paik/Abe video synthesizer and wobbulator. I was 21 years old and a junior at Alfred University. Personal TV studios were not ubiquitous at the time. East/ West Photography Conference, Poland, 1992. There is so much more to say. In 1975 I met a fellow at Buffalo State University who invited me to come and work at Media Study/Buffalo. "On Nuvo Japonica" Judith Sobol, Director, Payson Gallery, Portland, ME, 1989. The can-do-with is radicality.

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Burns, Torsten Zena - Extending trainer: Pressure suits and broom-crafts. By making colorful collages from over-saturated frame-buffered synthesized electronic imagery, then reproducing it in traditional formats, he turned the video art concept around. The two communities overlapped. I continued working there and doing residencies even after I moved to NYC and Brooklyn. But beyond specific techniques and individual machines, ETC had two broader premises. GARTEL 3D AUTO MOTION Sculpture, Private Benefactor. I used the Mirage Ensoniq constantly for music; its combination of analog and digital with floppies was breathtaking. Langan, Annie - Companion 2002. This reviewer, captivated by the gorgeous color and mesmerizing action, found herself wishing the movie were longer. Absolut Museum, NYC, NY. Magic is what you can't figure out.

I went back to my original computer systems of 30-years ago and made "new work" on some very "old machines. " Similar to the Buffalo facility, ETC had equipment such as a Jones Keyer, Jones Colorizer, Paik-Abe Colorizer and Wobulator (bent images on sin, cosine and triangular wave forms) and the first digital computer called a Cromemco Z-2. Mrs. Pels an older lady (probably late 60s at the time) was very nice to the kids. Powell was one of three students who were the first to graduate with a bachelor's degree in video in the United States; he graduated from the Rhode Island School of Design in 1974 and four years later was married to his late wife, Connie Coleman, who he had met at RISD and with whom he collaborated artistically for thirty years. Alan Powell, born July 29th, 1952, is an educator and artist specializing in collaborative projects and digital artwork. It was unthinkable back in 1989 to show Digital Art where "Irises" once reside. ACM Siggraph Ft. Lauderdale Chapter, FAU, 2004. BATES Agency Frankfurt - German Advertising.

After music, media became the arena for experiments and avantgarde. At the beginning: My formal training dates back to the Pels School of Art located on the second floor at 73rd Street and Broadway at the old Ansonia Hotel, at age 9. From the age of 5 Gartel's mother told him to follow his dream without exception and for the past 40 years keeping up with Gartel has not been for the faint hearted.

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