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Wed, 03 Jul 2024 01:45:22 +0000Cliché: A lot of their lyrics revolve around taking a cliche and giving it a new or ironic meaning. The breakthrough multiplatinum-selling album brought along the funky and mellow signature tendencies of the band. Motor Mouth: The words in "Play With Me" fly by as fast as the riffs, and "Cupid's Dead" isn't the easiest song to keep up with either. Gary Cherone - vocals. Classically-inspired radio hit "Play With Me", a non-single from the Bill & Ted's Excellent Adventure soundtrack added at the last minute, helped break Extreme out and point the way towards their later eclectic ways. So let him rest in peace. Song lyrics are inspired by Christianity here and there, but nothing is in-your-face about beliefs.
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Kevin "kfigg" Figueiredo - drums. Patrick "Pat" Badger - bass. Is left not... - The song "Flesh'N'Blood" ends with a belch. Cover Version: "Strutter", "Help! More than Tropes: - Album Title Drop: Pornograffitti and Waiting for the Punchline have their title tracks. Mostly known for the somewhat more characteristic instrumental single "Midnight Express", a showcase for Bettencourt which still appears in the band's live set. "Rest in Peace Lyrics. " Nuno sings significant lines in the songs too. Progressive Rock: Especially on III Sides to Every Story. Intercourse with You: A few songs on the first album, but it's actually pretty vague about it. Saudades de Rock has "Peace (Saudade)". Dual-Meaning Chorus: "Hole Hearted" can be interpreted as being a regular love song or about having a so-called "god-shaped hole". Fight for the nation, fight for the peace. Also, the guitar solo of "Rest in Peace" contains a snippet of "Voodoo Child".Rest In Peace Song
Hair Metal: Extreme came in with the last wave of the trend and are usually lumped in, though their take on the pop-metal sound owes to plenty more than Van Halen. A three-sided album (hence the title) where all three sides are stylistically distinct. There's even a Sinatraesque piano ballad, a mind-boggingly precise guitar solo and tongue-in-cheek rapping thrown in for good measure. Discuss the Rest in Peace Lyrics with the community: Citation. Screaming for vengeance, screaming for blood.
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Foreshadowing: The song "Get the funk Out" references lyrics in almost every other song on the album, and since it is one of the first songs on the album, most of that is a sneak peak of what's yet to come. Mr. Fanservice: Nuno Bettencourt, hands down. Large Ham: Gary Cherone is a very enthusiastic singer, as his infamous Van Halen stint handily proves. In the Style of: Twice on Pornograffitti - "More Than Words" confused listeners with its Everly Brothers-inspired sound while "When I First Kissed You" is a lampshaded Frank Sinatra homage. We won't try to, force feed you, get the funk out. 1992 - III Sides To Every Story. You better live today, you may be dead tomorrow. Backed up with "Lil' Jack Horn Section" and truly groundbreaking guitar work, Pornograffitti was an dynamically diverse bunch of electrifying funk metal songs such as "Get the Funk Out", "Decadence Dance" and "He-Man Woman Hater" sharing the spotlight with the acoustic mega-hits "More Than Words" and "Hole Hearted". Even if you ask you'll never know the truth. The next album had similar lyrical themes, but with a slower, grungier sound. Pat Badger also uses Paul McCartney's Höfner bass guitar in the "Tragic Comic" video. And then there's "Comfortably Dumb". Starting from the light-hearted minor hit "Tragic Comic", the songs quickly grow darker, with the ballad "Our Father" addressing a runaway father (who may or may not be God) and expressing philosophical doubt. Grunge: Their fourth album, Waiting For the Punchline, could probably be best described as 'funk grunge'.
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On Beyond All Sense (1985), Beyond All Sense 2005 (2005), Nothing Left to Fear (1991). The album's sound doesn't stand out from the rest of the Poison-esque Hair Metal of the time, and 1989 did not need more hair metal, but some of the later signatures - Bettencourt's precise lead guitar, well-placed three-part harmonies, and a consistent album-wide lyrical theme (centered loosely around childhood) - make themselves known. What did I fight for, what did I die for? Ominious Music Box Tune. Almost every Extreme song has them doing two-part distinct backing vocals. Call-Back: "A Song for Love" references the song "Big Boys don't Cry" from the previous album by name.
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Having three sides to every story is also a recurring lyrical theme in "Cupid's Dead". Misogyny Song: "He-Man Woman Hater". 1990 - Pornograffitti. "Cupid's Dead" also contains a rap section towards the end. See Mr. Fanservice below). 2008 - Saudades de Rock. Long-Haired Pretty Boy: Nuno Bettencourt, full stop.
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We're never on the run. Through it all, they've maintained a strong technical reputation as musicians, particularly for the soloing of Portuguese-born guitar wizard Nuno Bettencourt. A seemingly-final effort mostly In the Style of Soundgarden, Waiting hews only very loosely to its narrative about a cynical atheist who finds religion. Epic Rocking: The Prog tinged 3 part suite "Everything Under the Sun" is definitely this. As seen here, his good looks have held up remarkably well with age. The second side, Mine, is more personal lyrically and follows up on the pop style of "Hole Hearted" and "More Than Words". Mostly classified as a Funk Metal band, Extreme nonetheless dabbled with several pop forms during their career, ranging from the pre-rock pop of Frank Sinatra to trendy mid-90's Post-Grunge, meshing it all into a series of loose Concept Albums. Fight to kill or you are nothing to save. Genre Mashup: Now Funk Metal, now straight pop, now Progressive Rock, now pre-rock pop, now Yngwie Malmsteen-like classical guitar! Country Music: "Hole Hearted" has a countryish acoustic orchestration and four-on-the-floor bass drum beat throughout. Shout-Out: "I read the news today, oh boy/About a tragic comedy", from "Cupid's Dead". Written by: GARY F. CHERONE, JIMI HENDRIX, NUNO BETTENCOURT.
1994 - Waiting For The Punchline. Not bad, for a pasty faced white boy! "Take Us Alive" also provided the title for their subsequent tour. Christmas Songs: The B-side "Christmas Time Again", though it doesn't exactly praise Christmas time. Does Not Like Shoes: Gary Cherone's insistence on performing barefoot caused trouble for onetime opening act Alice in Chains, who didn't take well to being told what could and couldn't go on stage. It also has some of their heaviest songs, a few of them approaching straight up metal territory. This sets the stage for the Progressive Rock-oriented final side, The Truth, a three-part suite heavy on biblical references which attempts to answer what the point of it all is.
Fight for your life, you have to be brave. Pop-Star Composer: Bettencourt did the soundtrack for Smart People, even bringing in Gary Cherone for one track. Hard Rock: leanings towards this style are found all throughout their music, though Saudades De Rock is the only album that could be considered pretty much a straight up example. Side one, Yours, focuses on the stadium rock the band is most associated with and features lyrics based on political issues such as the role of government, war, racism, and the media. The soldier in the grave is screaming for vengeance. Money Song: "Money (In God We Trust)", with lines like "Money, my personal savior/Money, material lord", is a fairly sarcastic take. Distinct One-And-A-Half Disc Album. Nuno and Pat Badger could be considered as one. And still he wonders: I really don't know.
"Ghost" from Saudades de Rock is likewise a Coldplay pastiche. Rap Rock: "When I'm President" is a curious example. Last Note Hilarity: "Suzi (Wants Her All Day What? )" Funk Metal: Most songs fit under this genre. Lighter and Softer: Saudades is probably their least serious album since their debut album. Attempting to hit the big time after touring the Boston area, Extreme recorded ten of their fifty-song library for a mostly undistinguished debut album.