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Narrator: Hurston's new methodological approach was apparent once she arrived at the Alabama home of Cudjo Lewis, one of the last known surviving Africans of the Clotilda, thought to be the last American slave ship. Zora (VO): How much satisfaction can I get from a court order for somebody to associate with me who does not wish me near them? Lee D. Baker, Anthropologist: She met Alain Locke, who was a philosophy professor, but also the midwife, if you will, of the so-called "New Negro movement. Zora (VO): It seemed that I had suffered a sea change. They played it well too. Zora (VO): I took occasion to impress the job with the fact that I was also a fugitive from justice, "bootlegging. Half of a yellow sun movie. "

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She fought for us in her writing. And while they're doing that, they have a chant. They were hot behind me in Jacksonville and they wanted me in Miami. Watch Zora Neale Hurston: Claiming a Space | American Experience | Official Site | PBS. Narrator: Zora Neale Hurston died from heart disease after a stroke on January 28th, 1960, shortly after her 69th birthday in a segregated nursing home in Fort Pierce, Florida. Carla Kaplan, Literary Scholar: Most of the great artists of the Harlem Renaissance had their money in Black fiction. Zora (VO): I was careful to do my classwork and be worthy to stand there under the shadow of the hovering spirit of Howard. I know where to look and how. IIrma McClaurin, Anthropologist: Zora studied her own people, which is not something that is supported in anthropology at that moment. Daphne Lamothe, Literary Scholar: Black people understood themselves to be creators of culture and art and literature, and make important contributions to how American society understood, thought about and related to Black people in America.

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She also had a motion picture camera, a rare and expensive tool for anthropologists, that would allow her to capture scenes of rural Black life. This is not who she was. Charles King, Political Scientist: She's saying that if you need a category for someone who is both living and dead at the same time, that is deeply revealing about the society that you're from. Lee D. Half of a yellow sun 2013 movie. Baker, Anthropologist: Zora Neale Hurston was excited to study anthropology at Columbia because so much of American society and the media did not value African American culture. She had lots of money. He had blue eyes lawd lawd he had blue eyes.

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Narrator: When Zora Neale Hurston arrived at Mason's Park Avenue penthouse on December 8, 1927 she was presented with a one-year contract. Irma McClaurin, Anthropologist: That book is a great illustration of Zora blending her literary skills and talent as a writer, and also her skills and talent as an anthropologist and ethnographer. Lee D. Half of a yellow sun streaming vostfr series. Baker, Anthropologist: That image of her playing the drum. Daphne Lamothe, Literary Scholar: Hurston's the daughter of a preacher. The truth was, she was in many ways undisciplined. But they're operating against a very powerful ideology of the inferiority of populations. And I think Mules and Men is one of the best examples and the first examples of that. And it would drive her father bananas.

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Charles King, Political Scientist: For the young people who came into his classrooms, these were revolutionary ideas. So to go out on the street corners and ask Black people to let you measure their head would have been a big ask [laugh], but, because of her gregariousness, they comply. Fannie Hurst, one of the nation's most successful writers, sought out Hurston after the event to hire her as personal secretary. María Eugenia Cotera, Modern Thought Scholar: She realized that no one was going to share songs with her or even let her into these incredibly rich spaces where people were exchanging stories and song and card playing games, if she didn't bring something herself to the table. It was only when I was off in college, away from my native surroundings, that I could see myself like somebody else and stand off and look at my garment. Exotic, barbaric, the cult of voodoo! News & Interviews for The Commune.

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Irma Mcclaurin, Anthropologist: The fact that Zora is able to finagle a scholarship out of an event where she meets someone for the first time speaks to her prowess as someone who is able to engage people. María Eugenia Cotera, Modern Thought Scholar: It wasn't until she encountered anthropology at Barnard and Columbia, that she really began to see her culture as something that could be studied. That's what anthropologists do. People abandoned Zora Neale Hurston. Narrator: For more than ten years Hurston had skirted danger traveling alone across the American South and Caribbean, documenting rural Black peoples' lives and collecting their stories. Narrator: In September 1937, her book, Their Eyes Were Watching God, was on its way to becoming a mainstream critical success. Though she never stopped writing articles, reviews and opinion pieces—she would get by working at a variety of jobs—sometimes as a teacher, librarian, and journalist.

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"But I have lost all my zest for a doctorate. She agreed to drive Hughes back to New York, and he accompanied her on fieldwork in Alabama and Georgia—the pair bonding over their shared interest in rural folk culture. It was an auspicious meeting for the aspiring writer-teacher. Irma McClaurin, Anthropologist: It's almost like having Eatonville in one space again, because it's a Black space. Carla Kaplan, Literary Scholar: Once she was done with something, or someone, often she was completely done, and she couldn't look back.

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Narrator: With Boas's encouragement, Hurston eagerly enrolled in more anthropology courses. María Eugenia Cotera, Modern Thought Scholar: Benedict and Boas went out of their way to ensure that Margaret Mead was able to get a Ph. Narrator: Hurston spent another eight unaccounted years trying to find her way in the world. On July 25th 1933, Hurston submitted an application for a fellowship focused on "anthropology" to continue the work she had begun in New Orleans. Carla Kaplan, Literary Scholar: The Fort Pierce community in which she lived, loved and adored her. A Raisin in the Sun streaming: where to watch online? Okay, you're acting like white people. My life was in danger several times. At Hurston's insistence, a camera crew documented the services. Lee D. Baker, Anthropologist: She was using this contemporary poetry that was written up in New York, bringing it down south and then the the southern folkloric tradition would take it, turn it up on its head and make it anew, and so she was documenting how folklore and culture was actually being created in front of her eyes. Participant observation required that you kind of immerse yourself in another culture in order to understand it from the inside out. And Zora brings her Southerness with her because she's not ashamed of it. Irma McClaurin, Anthropologist: She alienated a lot of people.

Eve Dunbar, Literary Scholar: Everybody is really excited about what it might mean to be able to slough off that Old Negro, who is the product of enslavement. I really need a pair of shoes. He has modified the language, mode of food preparation, practice of medicine, and most certainly the religion of his new country. And for Hurston herself, having grown up in Jim Crow Florida, she knew what that category meant for someone to be fully, wholly alive but socially dead, socially invisible to the people she was surrounded by. Lee D. Baker, Anthropologist: He was one of the first people that took living with indigenous people seriously. They don't have to look at the rail 'cause that's the captain's job to see when it's right. Narrator: "I had to prove that I was their kind, " Hurston recalled. Narrator: In 1931 the Journal printed Hurston's one-hundred-page article, "Hoodoo in America, " which began cementing her as the American authority on the topic. She needed a methodology that would bring her back inside.

It was the strangest & most thrilling thing. Her Americanness really comes through in how she writes that work. She fought for Black women in her writing, in her anthropology. Narrator: Zora Neale Hurston was determined to have a career; "I shall wrassle me up a future or die trying, " she had once written to Mason. And this time, she only asked one anthropologist to serve as a recommender. Zora Neale Hurston was genuinely intrigued and interested in mapping and understanding the relationship between African traditions and African American traditions. That is why I can't endure to get at odds with her. Their Eyes Were Watching God. And in true Zora Neale Hurston style, it appears that she did both. Narrator: On January 10th 1932 The Great Day premiered on Broadway at the John Golden Theatre. It's a world of politics.

Hurston often wrote Langston Hughes of her work from the road; the pair, with Mason's support, were supposed to be collaborating on a folk opera. Lee D. Baker, Anthropologist: We call it in anthropology "thick description, " which is throughout Their Eyes Were Watching God. The ceremony ended with the painting of a red and yellow lightning bolt down her back. Irma McClaurin, Anthropologist: It's also the period of time where she's falsely accused of having improper relations with a minor.

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