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The charts try to list six things for each song: 1) The key that the song was originally recorded in. Twenty-three "D-Bass" Tunings including: Drop-D. Sonny Landreth: "Interesting question! D G D # B D -- wahine tuning (Gmaj7) Hawaiian slack key tuning used by Ledward Kaapana, and many other Hawaiian players, probably. I use this on a lot of the slide cuts we do. In D, there's no a bass for the V chord of D, and its 5 (e) is not handy either, but even with a slide on board, it may well be possible to fret some kind of an A or A7 chord. Mary Chapin Carpenter: I had made every record up to now at Bias and it is home and a wonderful place, but I felt a need to take myself out of everything that was familiar with me and that included working with different people -- bringing Blake in. According to Chris Cornell, who used many alternate tunings of his own invention during his tenure with 90's supergroup Soundgarden: "A lot of the weirder ones I came up with were based on trying to get to one note I couldn't reach. While Davey Graham may well have originally conceived DADGAD with the key of D in mind, guitar players have used it for many other keys as well. I have seen her do a stuck-at-home video a few times recently. Plays it one way, and sometimes the other. Passionate Kisses D 2 C 0 D Only a Dream Ab n/a n/a I Am a Town C 3 A DAC#EAE 0 C Walking Through Fire A>B 2 G>A I Take My Chances C 5 G 0 C Come On Come On Bb 3 G DADF#GD 3 G ------------------------------------ Stones in the Road recorded key MCC JJ capo key tuning capo key Why Walk When You Can Fly B 7 E??????
Mary Chapin Carpenter Guitar
The tunings are categorized according to the particular key they are designed for use in, or are most naturally suited to. Mary Chapin Carpenter: Haven't played tennis in years. I started looking around for a tuning that could give me what I was hearing, and I came up with DGDGAD. Sonny Landreth: "I learned about pure intervals of thirds and sevenths the hard way. "The pairs are reversed, " he [McGuinn] explains, "compared to typical 12-string guitars. For more advice on the treacherous but rewarding art (science? )
That should bring you up to speed on the guitar {;-) It is truly an amazing sounding looking Mary is a superb player with exceptional touch and control, no doubt making that guitar sound as good as it possibly vice versa! I feel less frantic about 'what am I doing and how am I doing it. ' It's not hard for other musicians to play with me -- they just have to transpose a bit. Drop strings 6 and 5 down to target pitches, and leave the other four strings as is. Here is info on her John Greven Guitars that I posted in an earlier thread about her and her Home Youtube has two Greven's. Mary Chapin Carpenter: Are you serious?
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Mary Chapin Carpenter: I haven't written about it and it's not something I'd feel comfortable saying "I'm going to write a song about it. " When I asked Carthy if he had any reservations about other people learning the details of his tuning he said, "Oh no... feel free to use it! Article TRADDAD by Duck Baker, in Acoustic Guitar magazine, July 2005. D A C G C F -- Dm7sus4 Used by Bruce Cockburn for his Down to the Delta, in Dm. Over Live Online discussions and choose the most relevant questions for guests and hosts; guests and hosts can decline to answer questions. She can do just fine with no band and I like bands! The fact that the slide is floating gives us access to every possible sweet spot imaginable. He said he had made arrangements with Steve Spellman to take it out on loan for a few weeks, because he said that if you are going to buy a guitar, you need to be able to play it a bunch. Billy Gibbons of ZZ Top reports: "This puts a partial D chord on the bottom and a G chord on the top three. Corrections appreciated! It takes a moment to get used to it, but within a few minutes, everyone I show it to loves it. Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden. Carthy told me that he uses it for playing in D, especially (! The beauty of the tuning is you can play the same shapes that you're used to, whereas if you use an alternate tuning like DADGAD, all of your shapes go away and you have to relearn everything.
Open G was one of Leo Kottke's favorite tunings, when he was first becoming well-known, and it has also been used by Joni Mitchell - Nathan La Franeer, Mary McCaslin, Jorma Kaukonen - Water Song, John Renbourn - Old Mac Bladgitt, James Taylor - Love Has Brought Me Around, Ry Cooder - Available Space, Nancy Griffith - Love at the Five and Dime, Pat Kirtley, and many other artists. Lawrence Juber, article in Fingerstyle Guitar magazine, Oct 2003. Mary Chapin Carpenter: Gosh, I love the Beatles and always have, but wouldn't be able to pick out what you're talking about. Strings 6, 5, 2 and 1 dropped a whole step, with strings 4 and 3 left as is. B E A D # B -- baritone tuning (down a fifth) This is the typical tuning for long-scale (27" to 29-3/4") baritone guitars.
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"At some point I decided to mostly focus on one tuning so that I wasn't having to relearn the instrument with every new tuning. C G D G C E -- Cadd2 Used by Michael Hedges, for Spring Buds. A few General tuning topics and quotations |. That's definitely an intimate gathering. D A D F A D -- Open Dm Used by Nehemiah "Skip" James, John Cephas.
Songwriting is a very spiritual and personal exercise, so the songs reflect what I was feeling. This brings the 1st and 2nd strings back into the familiar interval of a fourth apart, convenient for melody playing. Definitely worth paying close attention to her. I didn't find a name for the other two. I like to use open tunings to keep the modal quality and mystery alive. " String 5 stays put, string 4 drops a whole step to C, string 3 stays as is, string 2 comes up a half step to C, and string 1 holds steady. One finger on string 3, fret 2 yields a big E5 chord. Jude Gold, review of Fender VG Stratocaster in Guitar Player, June 2007. Tunings especially for the keys of Ab / G# and Abm / G#m |. Like Mary's Greven, mine sounds just wonderful, mis-matched top pieces and it might be fair to say that having perfectly bookmatched top wood sets is not all that it's "split up" {;-) to be, and that good wood, bookmatched or not, is good wood, can be used to make a fine sounding guitar.
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B # C# D A D -- Bm9 Michael Hedges, for After the Gold Rush, Dirge, Face Yourself, Menage a Trois. This gal has got it goin' on! The books are handy to have around, but not if you want to play the same chords that Chapin does. Immediately I said I got to learn what this man is doing. Our 'open' tunings (ones whose open strings form a simple chord) are the one exception to this rule. It's been used more recently by blues-saturated players such as John Hammond - Drop Down Mama, and Bonnie Raitt - Write Me a Few of Your Lines. Peter Lang says, "It's the greatest all-purpose tuning I know of. A few weeks later, Gary Oelze, the proprietor of the world famous club The Birchmere, heard me talking about this wonderful guitar that I had seen at the shop. The 2nd string is tuned down to A, and the 3rd string is tuned down a tone and a half to E. Martin Carthy taught me the tuning. " The best way to find out about capos is to watch performances live or on television, although sometimes I have to make assumptions based on how the songs sound (especially with the older ones which aren't performed as much anymore). I did not have to talk him into selling it to me; in fact, I determined I could not buy it as I had no money.
For (much) more information about equal-temperament vs just intonation and the wonders of the overtone series, see History of Tuning and Temperament and check into the Just Intonation Network. Gary theorized that if I could just play it for a while, then I would not be able to part with it and then I would be motivated to figure out some way to pay for it. AND that night he paid me for my opening slot with something like $400 dollars, as a way to get started for my Greven Fund. Mark Knopfler reports, ""When I started playing bottleneck at age 16, I began doing Elmore James stuff in [open] E. Later, when I became a fingerpicker, I was drawn to open G. I've never played much bottleneck on record. Guitar Player magazine, March 1998. Then Gary hired me to open for someone at the club. Washington, D. C. : Dear Ms. Chapin Carpenter: I'm a huge fan of your music -- thanks for sharing it with the world. Actually in Bb; capo 3; tuning: DADF#GD. D G D D A D -- Gadd9 Road.
I never did know exactly what key I was tuned to, but I came to find out from some old people that it was called 'Sepastopol' [or Open D, low to high -- D A D # A D].