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Plays about drawing-rooms are written for the middle classes of great cities, for the classes who live in drawing-rooms, but if you would uplift the man of the roads you must write about the roads, or about the people of romance, or about great historical people. The Hour-Glass was first played in The Molesworth Hall, Dublin, with the following cast:—Wise Man, Mr. T. Dudley Digges; His Wife, Miss M. Quinn; The Fool, Mr. Cathleen the daughter of houlihan. Fay; Pupils, P. Kelly, P. Columb, C. Caufield. The hour of convention and decoration and ceremony is coming again.

When life has given it, has she given anything but herself? As is natural in a country where the Gaelic League has created a pre-occupation with the countryman, the greatest number of our plays are founded on the comedy and tragedy of country life, and are written more or less in dialect. Some have quarrelled with me because I did not take some glorious moment of Cuchulain's life for my play, and not the killing of his son, and all our playwrights have been attacked for choosing bad characters instead of good, and called slanderers of their country. A headstone had been put over his grave in the half-ruined churchyard, and a priest had come to bless it, and many country people to listen to his poems. Oh cathleen the daughter of houlihan. On Baile's Strand, by W. |. Deirdre, by W. ||The Shadowy Waters (new version), by W. |.

Won't you give me a penny? It must be from the land, and it is from the sea that danger comes. The ANGEL appears in the doorway, stretches out her hands and closes them again. ] 'Oh, not to that man, ' answered the child, 'for I am told he denies God and Heaven and Hell, and even that man has a soul, because we can't see it; but I would soon put him down. And full of sleep, And nodding by the fire, take down this book, And slowly read, and dream. I have called this little collection of writings Samhain, the old name for the beginning of winter, because our plays this year are in October, and because our Theatre is coming to an end in its present shape. There was one that had strong sons I thought were friends of mine, but they were shearing their sheep, and they wouldn't listen to me. Complain of us if you will, but it will be useless, for before the curtain falls a thousand ages, grown conscious in our sympathies, will have cried Absolvo te. They risk their lives in battle, but they were not brave enough for my jokes and my juggling.

The boys are all hurrying down the hill-sides to join the French. Every educated man knows how great a portion of the conscience of mankind is in Flaubert and Balzac, and yet their books have been proscribed in the courts of law, and I found some time ago that our own National Library, though it had two books on the genius of Flaubert, had refused on moral grounds to have any books written by him. In a play which copies the surface of life in its dialogue one may, with this reservation, represent anything that can be represented successfully—a room, for instance—but a landscape painted in the ordinary way will always be meretricious and vulgar. Even now, when one wishes to make the voice immortal and passionless, as in the Angel's part in my Hour-Glass, one finds it desirable for the player to speak always upon pure musical notes, written out beforehand and carefully rehearsed. Had I seen your face as I see it now, oh! It would perform plays in Irish and English, and also, it is [84] proposed, the masterpieces of the world, making a point of performing Spanish and Scandinavian, and French, and perhaps Greek masterpieces rather more than Shakespeare, for Shakespeare one sees, not well done indeed, but not unendurably ill done in the Theatre of Commerce. Indeed I'd not begrudge it to her if we had it to spare, but if we go running through what we have, we'll soon have to break the hundred pounds, and that would be a pity. The Building Fund, by William Boyle. Did you hear a noise of cheering, and you coming up the hill? In the idol-house every god, every demon, every virtue, every vice, has been given its permanent form, its hundred hands, its elephant trunk, its monkey head. I heard somebody who sat behind me say, 'They have got rid of all the nonsense. Run round to the kitchen, and my wife will give you something to eat.

The generation of young men and girls who are now leaving schools or colleges are weary of the tyranny of clubs and leagues. But the meaning of the book may be different, for only fools and women have thoughts like that; their thoughts were [11] never written upon the walls of Babylon. The acting of plays of heroic life or plays like Cathleen ni Houlihan, with its speech of the country people, did not seem to him a preparation. And low and kissed the. Standish O'Grady has quoted somebody as saying 'the passions must be held in reverence, they must not, they cannot be excited at will, ' and the noble using of that old hatred will win for us sympathy and attention from all artists and people of good taste, and from those of England more than anywhere, for there is the need greatest. This one has to say over and over again, but one does not mean that his speaking should be a monotonous chant. Certainly it comes to its deathbed full of knowledge. 'Cathleen Ni Houlihan' is a short, one-act play full of symbolism. What deeds have you to be set beside our deeds? Many years ago, when I was contending with Sir Charles Gavan Duffy over what seemed to me a too narrow definition of Irish interests, Professor York Powell either said or wrote to me that the creative power of England was always at its greatest when her receptive power was greatest. The clothes slip from Michael's arm. The Well of the Saints, by J. The [169] persons acted upon one another as they were bound by their natures to act, and the play was dramatic, not because he had sought out dramatic situations for their own sake, but because will broke itself upon will and passion upon passion.

It is not only Shakespeare whose finest thoughts are inaudible on the English stage. The king whose eyes. I will say to them that only amid spiritual terror, or [22] only when all that laid hold on life is shaken can we see truth. The wife spoke to him then, and he gave in at the end.

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