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This Day In Indie History: A History Of Violence - Magazine

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Watch it if you don't. The entire movie is just 90 minutes long. Whereas Scott was annoyed by the daughter, I disliked the son, Jack's, story line. It is just ok. … Expand. Ed Harris and Viggo Mortensen in A History of Violence. Cronenberg has stated that he does not care for superhero comics/films, feeling they are all adolescent at their core, no matter how dark, edgy or intelligent critics and fans alike feel they are.

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And Edie's struggle to believe him and also to protect her children is surely poignant (Bello is stunning). Despite gripping (and often funny) supporting performances from Ed Harris, William Hurt, Maria Bello as Tom's wife (three cheers and an 'amen' for actresses who don't place any limitations on the sexual demands of the scripts they want to do! ) People in the movie burst out with laughter at the supposedly dramatic points of the movie. David Cronenberg has a reputation as a thinking man's director with a penchant for grotesque imagery in his films. Kasdan wrote Return of the Jedi (1983), which David Cronenberg was considered to direct. The first thing you notice about this small-town lawyer is that she's wearing a black bra under her white shirt, a sartorial choice that seems more appropriate to the hard-hitting flirts on "Sex and the City. " After a brief struggle, Tom gets the gun away from one of the robbers and uses it to dispatch both intruders. There was a lot of frontal nudity (female), a scene in which Viggo rapes his wife, and excessive un-necessary violence including children seeing / killing others. Stephen McHattie, as. So when I had heard about A History of Violence, I've heard that A History of Violence has had it's aspects when it comes to body horror by David Cronenberg which does not have anything to do with body horror.

I found nothing redeeming or uplifting in the film. For the sex scene on the stairs, David Cronenberg was concerned about the two actors getting hurt on the hard wooden steps. The movie does have lots of explicit violence and 2 sex scenes, but you need to see something of Cronenberg's style in this film. 0 of 0 users found this helpful. Overall, A History of Violence is a good film that really highlights what a thriller should be like.

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While exploring richly thematic ideas of harm, family, and the troubled past, David Cronenberg and the case of "A History Of Violence" ultimately craft a fantastically thought-provoking and thoroughly intriguing thriller. There's almost something poetic about it. There's a message there, and it's deep, no doubt, but morals At one point, Ed Harris says something like "You're trying to hard to be this other guy; it's painful to watch. By Metascore By User Score. She's just too precocious and precious, particularly in the film's final moment. Mortensen gives one of his best performances in one of his meatier roles and Bello brings a lot of heart to hers. As the Stalls must deal with the new, dangerous presence in their life, they must grapple with questions of identity.

If you don't believe me, watch this. The violence is over the top because of this This movie was really really good. From his gross out body horror masterpiece "The Fly", to the crazy science fiction thriller "eXistenZ" to the intense pschyodrama of "A Dangerous Method", Cronenberg continuously keeps his movies fresh and exciting as he further expands his eclectic filmography. Photos © Copyright New Line Cinema (2005). A far cry from the oft-glamorized violence of Hollywood. A History of Violence is, no holds barred, the worst movie I have ever seen.

A History Of Violence Opening Scene

Tom claims he has no idea who these men are or what they're talking about and is glad when Sheriff Sam Carney (PETER MACNEILL) steps in to encourage the men to move on. Y es que ese es otro de sus puntos fuertes, lo rápido que llega el final. I mean c'mon, Edie had to throw up in the toilet when she found out. And don't EVEN tell me I just A thinnly veiled action flick dressed up as a hypocritical P. And don't EVEN tell me I just didn't "get it". One hopes that this masterpiece launches more teamings of this supremely accomplished director and his new leading man. In spite of its brute force, this is a nuanced movie, with scenes of extreme violence juxtaposed with domestic scenes of calm beauty. Mothers, lock up your sons, the Switchblade Sisters are coming! I also think it wastes a very talented cast and doesn't really make much use of it them as well. "It just doesn't fit, " the sheriff tells Tom. Cronenberg presents us a genuinely lovable guy with a very peaceful life; this serves to allows us to sympathize with Dr Jeckyl before we get to meet Mr Hyde. The mystery is explained in full, but unfortunately not all of the motivations are as clearly laid out in the story. Eric, I think you are nitpicking about the son's interaction with the bully and also the father/son scene.

Feb 1, 2006. well done Maria Bello, beautiful performance you did. Maria Bello, who plays the onscreen mother of Ashton Holmes in the film, is only 11 years older than he is in real life. Inexplicably changes direction and themes halfway through the movie, and the scenes of violence seem randomly punctuated throughout the film. William Hurt was miscast as Joey's "Philly" brother.

A History Of Violence Scene

Cinematically, I found the lack of background music, while it augmented the slow pace of small town life particularly annoying after awhile. A beautiful wife, two children and a stress-free existence living in small-town America. There's no corny one-liners from the bad guys, it's all raw and violent. It would have benefited with just a tad more narrative. No longer relevant after 2006.

Scott, normally I agree with you about movies that run too long but here I didn't think the story was slow to get going after the initial action scene at the diner. The background score is decent, the sound effects are sharp and aptly loud, the art designing may not be in its A game, the cinematography is stunning and so is its fine editing. If you thought that was an insight into the human condition, or even marginal acting, you should stick to Scary Movie. Every part of the movie (writing, directing, producing, camera angles, acting) appeared to have been fulfilled by the equivalent of a high school student attempting to complete his end-of-the-semester project the night before it was due. I'm sorry, if you think this movie is predictable and boring, then you weren't watching the same movie as I was. To appreciate this movie you must view it as part of the revisionist western genre like Peckipah or the "urban revenge" movies like Dirty Harry. The writing is a bit odd, especially in the first act, besides the opening scene the first twenty minutes are just too melodramatic with clunky dialogue, it takes a few minutes for this to take off, but it's such a brisk runtime it's easy to forgive, because when the violence starts, it never stops. Overall a very well done movie and most people will either love it or hate it. My husband and I were very disappointed we didn't see Nanny McPhee instead! His adaptation of Stephen King's The Dead Zone has as much loss, poignancy and heartbreak as any movie made in the last 25 years; his all-time masterpiece The Fly wouldn't be nearly so resonant if it weren't as much a tragic romance as a gross-out horror classic. If you are into films, please do not listen to what you hear, and AVOID this film. Entertaining but not the "great" movie the critics make it out to be.

History Of Violence Fight Scene

The locations create a sense of foreboding as does the very atmospheric lighting and tight editing. The names of "William Orser" and "LeLand Jones" are a play on the name of the character actor Leland Orser. I thought this movie was excellently acted, directed and shot. The action and stunts might be enticing for some kids to imitate, while they and other moments of peril might be unsettling or suspenseful to some viewers. Acclaimed by the Academy Awards, the Cannes Film Festival and the National Society of Film Critics Awards among others, the movie pulled Viggo Mortensen, Maria Bello, Ed Harris and William Hurt together to tell the story of an all-American family man whose dark past is revealed when he becomes a local hero.

Without ever being preachy, the movie is also commenting upon the nature of violence. It`s a good enough ending over all, with some excellent action and it certainly doesn`t spoil the film in any way. Viggo does an alright job of speaking quietly and then bursting into violence but nothing really is noteworthy about it. See this if you have wondered where serious mainstream cinema has been hiding. In the first, Bello, the doting Midwestern wife and mom, dons her old cheerleader togs for some playful whoopee with Mortensen, her placid, stalwart hubby.